History―

A thousand years,
 flowing onward

Passing on the culture
and traditions nurtured here
since the Enryaku era.
Manshuin, past and future.
Shinden Hall and garden

Manshuin Monzeki is one of northern Kyoto's most distinguished temples.
Monzeki denotes a temple whose head priests came from the Imperial Family.
The five white stripes on the walls flanking the Chokushimon Gate still attest to this rank.

Temple wall marked with five white stripes
Manshuin began during the Enryaku era (782–806), when Dengyo Daishi Saicho, founder of the Tendai school, established a place of prayer for the protection of the nation on Mount Hiei.
When Kitano Tenmangu Shrine was built during the Tenryaku era (947–957), Zesan Kokushi, who was born into the Sugawara family, was appointed its first betto, or administrator. Manshuin continued to hold this office for some 900 years, until the Meiji Restoration.
A branch temple was built in Kitayama during the Tennin era (1108–1110) to administer Kitano Tenmangu, and was later moved to the court nobles' quarter within the Imperial Palace. In 1656, Imperial Prince Ryosho—the second son of Imperial Prince Hachijonomiya Toshihito, founder of Katsura Imperial Villa—entered the temple and rebuilt it at its present site. This became the Manshuin seen today.
Shoin corridor laid with red felt and the garden beyond
Imperial Prince Ryosho was a nephew of Emperor Go-Yozei and a cousin of Emperor Go-Mizunoo. Manshuin was built with advice from his elder brother, Imperial Prince Toshitada, who is said to have completed Katsura Imperial Villa. Like the villa, Manshuin employs the golden ratio, then widely admired in Europe. The refined, airy O-shoin and Ko-shoin are regarded as outstanding surviving examples of sukiya-style shoin architecture, alongside the New Palace at Katsura Imperial Villa and the Kuro-shoin at Nishi Hongwanji Temple.
Princess Umenomiya, a sibling of Imperial Prince Ryosho, married Ryodo Sojo, who built the Kuro-shoin at Nishi Hongwanji.
Hanging scroll in the Buddhist altar room
Wabi
Finding spiritual fulfillment in simplicity, austerity, and imperfection

Sabi
Sensing depth and richness in quiet solitude

Beauty within the unsightly, dignity within the humble
Abundance within poverty, savor within the unpalatable, joy within hardship

Imperial Prince Ryosho was a person of culture who lived here at Manshuin in a world shaped by the beauty of wabi and sabi.
The shoin's decorative nail covers, door pulls, and transoms share motifs with Katsura Imperial Villa and were made by workshops of the same tradition. For this reason, Manshuin is sometimes called a "small Katsura Imperial Villa."
O-shoin
Unlike the gardens of warrior residences or other temples, the shoin garden reflects the taste of the court nobility. In his travel essays Kaido o Yuku, Ryotaro Shiba wrote: "Court culture was fostered in the Toyotomi and Momoyama periods and came into bloom in the early Edo period. Katsura Imperial Villa and Manshuin mark the maturity and conclusion of the Momoyama aesthetic." Manshuin has welcomed many members of the Imperial Family, including the retired Emperor Go-Mizunoo and Emperor Reigen; in more recent times, the Crown Prince, Prince and Princess Akishino, and Prince and Princess Hitachi; and in 2012, the Emperor and Empress.
Fitting with openwork chrysanthemum carvingVeranda railingFusuma doors in the shoinPillar on the verandaTrees on the temple grounds
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